前作『ラブカレンダー』での生歌志向から一転、意外にもこれが初のオール初音ミク歌唱となった4作目。とはいえトリコロールなジャケットからも伝わるようにミクのキャラクター性を前面に出したわけではなく、そのフラットで汚れなき歌声の魅力に焦点を絞った良曲が揃う。ギター・ロックと打ち込みが良い塩梅に混ざったサウンドも清々しく、アコギとパーカッションが絶妙に配置されたkous編曲の“音偽バナシ”はマジ絶品!
[English Translation]
While his previous release Love Calender was heavily live-voice-oriented, this 4th album has made a sudden transformation, being taken over by the voices of Hatsune Miku singing not most but all the tracks on the album. (Surprisingly the first time for this to happen despite his well-known affinity with Miku.) However, the tricolored album art indicates that the intention was actually not to bring Miku's characteristic qualities to the fore, but rather to focus attention on the flat and innocent voice, resulting in a fair assortment of high-quality tracks. Guitar rock sounds are blended so adequately with step recordings giving a refreshing touch to the tone, especially “Otogibanashi” is constructed beautifully with the sounds of acoustic guitar and percussion and arranged by Japanese vocaloid producer, Kous.
