2014年にくるりのリミックスを手掛けて一気に名を広めた京都の電子音楽家。食品まつりとの配信スプリット盤や泉まくらのリミックス仕事を経て登場したこの3作目は、ロウな手触りのインダストリアル・ビートや重厚なドローン、深いエコーのかかったシンセが立体的に絡み合いながら水面のように絶えず揺らぐ、ディープな音響作品に。デムダイク・ステア周辺の突き抜けた実験テクノ好きにはド直球で刺さるはず。
[English Translation]
Becoming instantly and widely known upon managing the remix of rock band Quruli in 2014, the Kyoto-based rising electro-music artist Madegg delivers his latest work. Following various projects including the split-digital release with Shokuhin Maturi a.k.a Foodman (beatmaker/DJ/painter) or the remix for Izumi Makura (female hip hop MC), this piece, which is his 3rd, emerges as a deep sound work where raw-feel industrial beats, heavy-duty drone and deep echoing synthesizer are sterically entangled with each other, forming an ever-trembling water surface. If you are into intense, Demdike Stare-type experimental techno, this album would be just dead right for you.
くるりのリミックスも手掛けた京都の電子音楽家、Madeggの3作目はデムダイク・ステア周辺の実験テクノ好きに◎なディープな音響作品
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