菊地成孔に師事し、ビート・コレクティヴのEn-Tokyoにも名を連ねる電子音楽家の処女作。脈々と流れる国産ゲーム・ミュージック～エレクトロニカの意匠を汲みつつ、メイン・アトラクションズ級のウルトラ・ノスタルジアを巧みに忍ばせたかと思えば、Seihoよろしくフュージョン・フォーマットで差し込んでくるリズムとエロスへの目配せにも耳を奪われる。ボカロにダブステップからトラップまで緻密に編んだ展開に、エキゾな極彩色でカタルシスへ導く“真夏の夜の夢”をはじめ、映画「銀河鉄道の夜」における細野晴臣仕事に感銘を受けて音楽の道を志したという初心をこのまま貫徹していけば、みんなが好きなファンタジーの語り手としてserphを追随しそうな予感。今後が楽しみな才能が登場した。


[English Translation]
This is the first piece of the electric musician who studied under Naruyoshi Kikuchi (famous jazz musician, writer, and music instructor) and been listed as member of En-Tokyo, a Tokyo-based beatmaking event. While respecting the designs of music  from domestic game music to electronica that have been passed down unbroken from generation to generation, he ingeniously slips in Main Attrakionz-class ultra-nostalgia, but then also catches our ears with his humble attention towards rhythm and eros inserted in the format of fusion, just like the way Seiho, the Osaka-based beatmaker, does. Tracks like “Manatsuno Yono Yume (meaning A Midsummer Night’s Dream)”, with its structure finely weaving in sounds from vocaloid, dubstep, to trap, combined with the exotic rich coloring, lead us to a catharsis that implies that he will probably come close to serph, the Tokyo-based musician, as a fantasy storyteller whom everybody admires if he continues to carry out his first intention he’s had from the time he first aspired to be a musician impressed by the music by Haruomi Hosono (member of legendary techno music group Yellow Magic Orchestra) in the film Night of the Milky Way Railway (fantasy novel by Kenji Miyazawa). A promising talent has appeared.