2014.06.04

4枚目となるミニ・アルバムだが、コヤマヒデカズが紡ぐ歌には、相変わらず孤独や哀しみ、怒りの言葉が連ねられている。今回は特に〈死〉への言及も多く強烈だが、それゆえ時に照らされる一筋の希望が胸に響くのだ。Syrup16gの姿が重なるその世界観や鋭利なギター・サウンドはますます研ぎ澄まされており、格段にドラマティックになった展開で聴き手を引き込こんでいく。そんなアレンジ力の高さもポイントだ。

[English Translation]
This is the 4th mini-album from the three-piece band, and the songs by vocalist and guitarist Hidekazu Koyama (, also known as vocaloid producer Nanou,) are still lined with words of isolation, sorrow and anger as ever. Especially this latest release has many references to 'death' which makes the piece even more shocking, but for that reason, the shred of hope that occasionally shines down is so much meaningful. Their worldview laps over that of Syrup16g, and the sharp guitar sound has been increasingly finely-honed, drawing in the listeners with a greatly dramatic album development. That refined arrangement capability too is one high point of the band.

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